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Music Box
Poetry by Isabelle Wei
Music Box
Two years ago I wrote my own language,
a flash of supple curves, hips, limbs shaped
by rain: gelled beads flowing, darkly,
down an oiled channel. Say mother/land,
say motherboard, this lush mother tongue—
smothered, cut from water. Like water, I slosh
their frames. Open skin, peel the newsprint
sallow in shade, like a present, like the
present, time (fading). Now, at present, browse
these names: beaded hei-tiki, rivière, words
borrowed or gibberish: meaninglessness bull
& blather, such poppycock; these words: cod
-swallop, hogwash. I imagine my mouth as a door
to a room: a vast room, the vastest room
of all rooms—showroom, sunroom. What space,
this room between lung & larynx: music box,
voice box. Inside: the body’s organs, a pipe
organ, feeding wind. The wind-chest: air singing,
air sung—or is it sang? My mouth: a room
full of people. The organs play muzak down
a chamber, a tongue belt belting Vissi d'Arte
in the snow, melting: this precision, this
precipitation. Water, rising—or is it rose?—
against my throat. Roses, a jar of them,
a pear-shaped vase of them. Curves, swelling
beyond the chest: music chest, treasure
chest. Chest of drawers, spilling chestnuts.
Inside, the sound of pounding coils, dense
and homophonic: the flowers are floured,
star-slick and syllabic. See the singing—
deep under a sky the colour of the sea.
Isabelle Wei is an artist and poet. She is the recipient of the 2023 Yamabuki Prize and has been recognised by The Poetry Society and the John Locke Institute. Recent publications include Carolina Muse, IAMB, and Occulum, among others. As the Editor-in-Chief of Reverie, she enjoys browsing through stories that reflect her love for the natural world. She has been nominated for the Pushcart Prize and Best of the Net.
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